What Is Bad
- Story
- Screenplay
- Dragged Narration
- Direction
- Runtime
- Music.
Bottom Line:All that glitters is not gold
Loukyam Review - Story
Venkateshwarulu (Gopichand) a happy go lucky
guy, helps his friend run away with Neetu (Shyamala) from Warangal. The
first 15 minutes is a mindless hotch-potch to establish the main
characters, plot and story be damned. Before you know it, Venky falls
head-over-heels in love with Babji’s sister Chandrakala (Rakul Preet) in
Hyderabad. There's a villain too in this Keshavulu (Mukesh Rushi), who
tries to damage Babji’s reputation in Warangal. Babji (Sampath) takes
away Chandrakala to Warangal knowing that she fell in love with someone.
In the meantime, Keshavulu plans to kill Chandrakala, but Venky rescues
her from the issue. Then he tries to make her family convince for his
love. Will Venky marry his true love forms the rest of the storyline.
Loukyam Review - Star Performance
It was up to Gopichand to salvage the show and I
must admit, the actor flaunts the attitude all through. But he lacks the
freshness and mannerism to ease through this kind of characterization.
Rakul Preet looks completely gorgeous in this role, but pairing with
Gopichand lacks the fizz. Chandra Mohan and Brahmanandam, who have
worked in several comic capers and masala fares earlier, are effortless,
but not memorable. Mukesh Rushi does his casual routine in this role.
Sampath continues his “Mirchi” mark characterization. Shyamala is okay
in her small role. Raghu Babu, Krishna Bhagwan, Raghu and Satyam Rajesh
are middling in their roles. Prudhvi succeeds in tickling the funny
bones. It's a joy watching him in a spoof characterization. Hamsa
Nandini sizzled in her cameo.
Loukyam Review - Techinical Team
Although, the credit for the story (Sridhar
Seepana) and screenplay has been given jointly to Gopi Mohan & Kona
Venkat, but you'll keep wondering where is the story-line or what the
story all about is. It has no story worth the title, and its eccentric
characters are eloquent impersonations that turn more and more bizarre
as they lunge towards a protracted and action-packed climax that turns
out to be far and away the most enjoyable part of the film. Most of the
comic gags that Loukyam conjures up hinge on the film’s pivotal casting
coup. You have to go looking for the plot with a microscope. Derisive
disregard for basic decency is meant to be cool in this film. In the
endeavor to imbue Gopichand’s happy-go-lucky with a sense of mischievous
ingenuousness the narration becomes woefully heavy headed. The tone
adopted is that of a conversation between reputed stand-up comedians who
are out to prove they can convey the seriousness of existence even
while maintaining the comedic tone that is expected of them.
It is the technical factor that harms the film further. What makes this film rather cringe worthy is the absolutely obsolete music by Anoop Rubens. Except the Ninnu Chuddagane song, the rest ruins the film. The moment the last track appeared, people left the theatre in relief. Background Score gives us the deja vu of Chakri & Manisharma’s tunes. The other creative aspects of Loukyam can’t redeem it either. The cinematography by Vetri wears a strange digitally enhanced look, as if it had been washed in some kind of Cocktail. The editing by S R Sekhar employs routine-effects jarringly and doesn't save the movie during its runtime of 149 minutes. Sriwass sorely disappoints in all aspects of the film he is a part of. Production values of Bhavya Creations are grand. Producer V. Anand Prasad didn’t compromise for any scene.
It is the technical factor that harms the film further. What makes this film rather cringe worthy is the absolutely obsolete music by Anoop Rubens. Except the Ninnu Chuddagane song, the rest ruins the film. The moment the last track appeared, people left the theatre in relief. Background Score gives us the deja vu of Chakri & Manisharma’s tunes. The other creative aspects of Loukyam can’t redeem it either. The cinematography by Vetri wears a strange digitally enhanced look, as if it had been washed in some kind of Cocktail. The editing by S R Sekhar employs routine-effects jarringly and doesn't save the movie during its runtime of 149 minutes. Sriwass sorely disappoints in all aspects of the film he is a part of. Production values of Bhavya Creations are grand. Producer V. Anand Prasad didn’t compromise for any scene.
No comments:
Post a Comment