Title : REVIEW : VIKRAMA SIMHA
Star Cast : Rajinikanth, Deepika Padukone,
Producer : B Subrahmanyam
Director : Soundarya Rajinikanth
Music : A R Rahman
Released on: 23-05-2014
What Is Good
What Is Bad
Star Cast : Rajinikanth, Deepika Padukone,
Producer : B Subrahmanyam
Director : Soundarya Rajinikanth
Music : A R Rahman
Released on: 23-05-2014
What Is Good
- Rajinikanth
- Dialogues in Parts
- Music by A R Rahman.
What Is Bad
- Ordinary Visual Effects
- Dark 3D effects
- Thin Storyline
- Screenplay in the first half
- Slow Narration and Editing.
Bottom Line:Welcome Change to Indian Motion Picture.
Vikrama Simha Review - Story
At the centre of this animated motion - capture
3D film is the Rana (Rajinikanth) chief of Kallingapuram army ruled by
Raja Mahendra (Jackie Shroff). Rana takes Kottapatanam slaves into his
army to make a powerful impact with the start. He wins every small
kingdom in his way, and pens to attack Kottapatanam. But Rana has second
thoughts to make his come back to his hometown with his army. Ugra
Simha (Nasser) hugely impressed with his approach in the enemy combat,
asks to lead his army. In the meantime Raja Mahendra plans to attack
Kottapatanam and kill Rana. Surprisingly, attacks Ugra Simham and gets
arrested. Who is Vikramasimha? Why does Rana attack Ugra Simha? Will
Vandana Devi (Deepika Padukone) marry Rana’s in the end forms the rest
of the storyline.
Vikrama Simha Review - Star Performance
It might not initially make sense to cast Rajinikanth in an animated
role, but once you see the movie, you can see the brilliance in the
casting. Majorly Rajinikanth (dubbing by Mano) voice delivers the
performance. Mano can make any line sound impressive, and Rajinikanth
character often has to overact in an attempt to impress his fans. It
makes sense for Mano to voice , and Rajini delivers in style. Deepika
Padukone, Jackie Shroff, Aadi, Nassar, Shobana and Nagesh are less
impressive, although they're much more reserved, down-to-earth
characters. Dasari Narayana Rao voice over in the start is promising.
If the Vikramasimha suffers, it's because of the supporting characters and cartoon-ish expressions from motion capture images. The rest of the characters other than Rajinikanth’s (Rana, Nasser & Vikramasimha) characters rest of the characters all are painfully underdeveloped and essentially have one gimmick each, But most of the time is dedicated to the three characters mentioned above. There's really no reason for the other characters to even be in the film, and it would have been nice to see their roles expanded.
If the Vikramasimha suffers, it's because of the supporting characters and cartoon-ish expressions from motion capture images. The rest of the characters other than Rajinikanth’s (Rana, Nasser & Vikramasimha) characters rest of the characters all are painfully underdeveloped and essentially have one gimmick each, But most of the time is dedicated to the three characters mentioned above. There's really no reason for the other characters to even be in the film, and it would have been nice to see their roles expanded.
Vikrama Simha Review - Techinical Team
Any concerns about being India’s first motion
capture animation’s ability to render photo realistic human beings faces
are left behind; Rajinikanth and other characters are never really
expressive. The animation team has even somewhat sidestepped the problem
that 3D motion capture films almost always face, which is that the
human characters almost always look significantly worse than the rest of
the picture. Humans are more difficult to animate, apparently, and also
wind up looking like jelly in comparison to the fur or textured
surfaces that surround them. The themes aren't exactly groundbreaking
from writer and director K S Ravikumar and Soundarya R. Ashwin and the
plot feels too repetitive with the Rana encountering one explored
terrain after another and responding in predictable ways. Vikramasimha
is a thoroughly modern, But its content is just a nostalgic piece.
The first photo realistic character was developed for Young Sherlock Homes (1985). With every film since then, Willow (1988), Backdraft, Jurassic Park, The Lord Of The Ring: Two Towers…Etc motion capture has reached new heights in Hollywood and Here comes India’s first Motion capture movie, Vikramasimha in 2014. Hollywood has taken 25 years to perfect in Photo Realistic film making, our film makers must be appreciated for the intent in film making and coming up with middling result in the first attempt. Soundary R Ashwin must be appreciated for bringing new technology to Indian film Industry and making a Photo Realistic film in limited $ 20.5 Million budget in years.
The Music by Oscar winner A R Rahman is impressive in parts. Especially, at fight sequence between Deepika - Rajinikanth, Kallingapuram soldiers attacking on Vikramasimha ships and at Rudra Thandavam scene. Cinematography by Rajiv Menon is fine. The action sequences in the film are very long and looks inspired from 300. Even Depth perception ratio was not perfectly handled in the action sequences. Dialogues by Sriramakrishna are ordinary, but the way final dialogues are written makes a special impact in the end. Editor coud have easily cut short the film by 10 -15 minutes. Production values of Media One Global Entertainment and Eros International are grand.
The first photo realistic character was developed for Young Sherlock Homes (1985). With every film since then, Willow (1988), Backdraft, Jurassic Park, The Lord Of The Ring: Two Towers…Etc motion capture has reached new heights in Hollywood and Here comes India’s first Motion capture movie, Vikramasimha in 2014. Hollywood has taken 25 years to perfect in Photo Realistic film making, our film makers must be appreciated for the intent in film making and coming up with middling result in the first attempt. Soundary R Ashwin must be appreciated for bringing new technology to Indian film Industry and making a Photo Realistic film in limited $ 20.5 Million budget in years.
The Music by Oscar winner A R Rahman is impressive in parts. Especially, at fight sequence between Deepika - Rajinikanth, Kallingapuram soldiers attacking on Vikramasimha ships and at Rudra Thandavam scene. Cinematography by Rajiv Menon is fine. The action sequences in the film are very long and looks inspired from 300. Even Depth perception ratio was not perfectly handled in the action sequences. Dialogues by Sriramakrishna are ordinary, but the way final dialogues are written makes a special impact in the end. Editor coud have easily cut short the film by 10 -15 minutes. Production values of Media One Global Entertainment and Eros International are grand.
Vikrama Simha Review - Analysis
The motion capture periodic features a strong,
star-studded cast, but the script and CGI doesn't pop off the screen
quite so effectively. Vikramsimha first half is boring and dragged, but
the second half picks up the pace and ends with a promising note.
There’s a strange sort of disconnect one may experience while watching
Vikramasimha. That’s because Vikramasimha isn’t our typical animated
kid’s movie because we have been conditioned for a certain kind of
animated movies. Though it doesn’t hit the bench mark of Hollywood
motion capture films in recent times, it doesn’t sink either. If you
look back, Hollywood has taken 25 years time frame to come up with a
promising motion capture film, we must be happy with what we have seen
on screen in the first attempt itself. On the whole, Vikramasimha must
be appreciated for the intent in film making, nothing else.
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